Album Review

Anne reviews Messing's "bold, corny, and golden" debut 'Couldn't Be Better'

Though two-thirds of Square Peg Round Hole comprise half of Caracara, Reservoir is closer in both sound and spirit to a […]

In 2018, Australian singer-songwriter Fenn Idle aka. Fenn is cool released his debut album The Definition of Cool, a collection […]

Guest columnist Trevor Shosa reviews Chat Pile's harrowing 'God's Country,' out now on The Flenser.

Jonah Matranga’s covered a lot of ground in his thirty-year career, and on Tenderwild, a sort of homecoming for the singer […]

Anne tackles the new record from H A U N T E R, calling it a "soothingly detailed blur" of ambient pop and experimental hip-hop.

With their debut LP 'With Love,' New Vision delivers half an hour of nostalgic, emo-stained pop punk

There’s a sense of playfulness in calling the new split between Rhode Island pop-punk groups Twin Brook and Dog Stuff […]

The debut album from London’s Caroline is immense and challenging, but after peeling back the layers, is endlessly rewarding.

Texas shoegazers Glare play the genre straight on 'Heavenly,' and the results are mostly stellar.

Broken Vow's first official EP might not reinvent hardcore, but their passion and talent can't be understated

Saint 44's debut 'Blood on My Guitar' devotes itself to creating and maintaining a tranquil atmosphere perfect to soundtrack falling leaves.

‘You Are With Me,’ the new EP from Gordon M. Phillips and Maxwell Stern, feels less like a split than it does a cohesive project.

The atmospheric debut from Burial Waves covers genuinely new ground in the post-hardcore world, a rare feat for a genre that too often relies on nostalgia

On his debut EP, Charlie Hickey straddles the line between poignant and cloying.