Reviews

'Father of All Motherfuckers' is an unironic Spinal Tap-esque pastiche of the genre they claim to pay tribute to. It’s Greta Van Green Day. 

Ryan breaks down Frances Quinlan's "Likewise," and it bridges her solo work with Hop Along.

Eric unpacks the gradual embracing of electronic-style songwriting in Torres' latest release, 'Silver Tongue.'

‪Louis Tomlinson shines on ‘Walls,’ the former One Direction members Britpop influenced solo debut, thanks in large part to the distinct edge of his vocals and his lyrical prowess.‬

Mura Masa has released his new album R.Y.C and Kyle reviewed it. Give it a listen while you read about it below!

While working on music of his own, Luciano got to speak to A Will Away vocalist/guitarist, Matt Carlson, about the band's new EP. Read Luciano's in-depth review and listen to the record.

Kayla takes us on the pleasure cruise that is Super American's 'YOBWOC.'

The latest single from the Philly band Nonfiction is a generous helping of exhilarating, dark alt-rock a la Manchester Orchestra and Microwave. Read our review while you listen:

Sarah rounds out her 2019 with a belated EOTY list.

All in all, Styles’ sophomore record works because Fine Line is personable. It meets one for coffee at the break of dawn. It’s the voice crackling through the receiver of a late-night phone.

Hope Ankley explores the genre-bending album 'Lavender House' by Funeral Homes.

On her new EP 'Is Anyone Listening?' songwriter Ella Ross revels in melancholic, upbeat pop while probing deeper themes.