Reviews

Aaron explores Catbite's sophomore album, "Nice One," calling it a "victory lap" full of singalongs.

Kississippi's sophomore record 'Mood Ring,' out now on Triple Crown Records, is as ambitious as it's new. Straying away from their indie-rock and emo bedroom-pop sound, Zoe Reynolds explores a pop landscape, colored by dazzling synths and melodies. In the midst of this, she chronicles each varying facet of love like scrapping bits and pieces out of a diary, leaving an indelible mark in her growing career.

Zac reviews Samia's new 'Scout' EP, which he deems her best yet

On her third album, Lucy Dacus recalls childhood memories, and formative experience, to build her best work to date.

Hope interviews Pageants about their sophomore record "Sun and Settled Days," a soundscape balanced between sunny mirth and melancholy.

When Ella Williams’ released I Was Born Swimming, her debut album under the moniker Squirrel Flower, in early 2019, its […]

The latest single from Los Angeles songwriter Hana Vu is layered and sorrowful, longing for change and basking in uncertainty.

Zac reviews 'Draw Down the Moon,' the new album from Foxing, which takes the St. Louis trio’s ambitious indie rock to new heights

An ant on helium writing music reviews and recommending music, in this case, 10 new reviews of some incredible recent releases.

Aaron reviews Spurts' debut record, "The Long Haul," calling it "an intriguing collection of bedroom indie, sprinkled with trumpet, keys, and the occasional heavy riff."

On their newly reissued and expanded debut, Philadelphia power pop band 2nd Grade invigorate their once-isolated songs with the energy and clarity of their excellent 2020 sophomore album 'Hit to Hit.'

'Screentime in the Deep,' the debut album from Blue toed, is an exploration of trans masculinity—juxtaposing its personal narrative with bouncy production.