This EP exists in the spaces where music shouldn’t work.

Invasion of the Body Snatchers (1978) Directed by Philip KaufmanIn one sentence: Weird wee alien plants are cloning and then killing humans in what can only be described as, a huge inconvenience.

Halloween III: Season of the Witch (1982) Directed by Tommy Lee WallaceIn One Sentence: Masks. Robots. Stonehenge. Children dying. Creepy old guys. Ancient magic. Zero Michael Myers and that’s a good thing.

Maximum Overdrive (1986) Directed by Stephen KingIn One Sentence:  Earth passes through the tail of a comet and machines come to life and just want to kill humans so much. 

Texas Chainsaw Massacre 2 (1986); Directed by Tobe HooperIn One Sentence: A local radio DJ is trapped in Leatherface’s lair after curiously following them after being threatened after playing a tape of them murdering someone on the radio. Yup.

The Battery (2012) Directed by Jeremy GardenerIn One Sentence: A character driven zombie films that gets it right.

Creepshow 2 (1987) Directed by Michael GornickIn One Sentence: A few well written spooky stories nicely woven together for a sweet anthology.

Late Phases (2014) by Adrian Garcia BoglianoIn One Sentence: A good recent werewolf film. No really I swear.

The Blob (1988) Directed by Chuck RussellIn One Sentence: Goo from space is eating everything!

Return To Nuke ‘Em High Vol.1 (2013); Directed by Lloyd KaufmanIn One Sentence: Weird shit goes down in a high school where kids are being mutated by nuclear tacos.

Chelsea Wolfe's new album Abyss is her masterpiece. Something to hide in the tabernacle and listen to during a sacrificial orgy.

The single came to me last Friday via a random link on Twitter.com, home of the precious #content, and I haven’t stopped listening to it since. Bohica, from Cheshire, England might be that dream-punk fix you’ve been looking for.

Near Dark (1987); Directed by Kathryn BigelowIn One Sentence: A young Oklahoma cowboy inadvertently becomes part of a “family” of vampire misfits.

Frailty (2001); Directed by Bill PaxtonIn One Sentence: A coming-of-age story that isn’t a fluffy, cute, quotable cheesefest.

Colleen Green’s new album I Want To Grow Up is such a beautiful, sugary treat. From opening eponymous track “I Want To Grow Up” you’re hit with Colleen’s dual harmony vocals sung with this really tired, slacker delivery hung atop some sweet distorted guitars and headbanging drums.