Reviews

Ben Seitz of Scarlet Street gives us the details on the inspiration and recording of the group's killer self-titled debut

Guest writer Travis Shosa examines Rebecca Black's debut LP 'Let Her Burn' as the culmination of a decade-long push toward pop stardom.

Zac looks back on Rika's sole LP 'How to Draw a River, Step by Step' ten years after its release.

Tropical Fuck Storm explore the weirder avenues of rock music on 'Submersive Behaviour'

Elliott Green's 'everything i lack' is a sparse and stunning meditation on a period of lostness

Guitar Fight from Fooly Cooly's new EP 'Drought' captures the band's frantic and varied style of emo in just over ten minutes

Both infectiously playful and rawly vulnerable, the moss' new EP 'Insomnia' is the band's best outing yet

Out today, Ex-Pilots' 'Live Forever' is a boundary-less blast of a record

Melted Bodies crank up the drama without losing their wackiness on 'The Inevitable Fork vol​.​1'

Smut finds inspiration in the artists that shaped them on 'How the Light Felt,' an album that confronts loss within a variety of lush soundscapes

A new split from Acrobat Unstable Records and Old Press Records highlights some killer punk and emo from Drunk Uncle, Kerosene Heights, Rose Ceremony, and Thorn Tire

Derek Ted wraps his folky emo up in swirling psychedelia and sunny pop sounds on 'Times Have Changed'

"Two years after the release of his debut record Walls, with a year of high-spirited touring under his belt, and after leaving the big machine of corporate record labels, Tomlinson’s sophomore effort, Faith in the Future, is a departure from the slick, pop-leaning production that took root on much of his first album."

The Bobby Lees' new record 'Bellevue' is packed with ass-kicking punk and garage rock

Discussing The Sun's 'Feel It All' is a swirling, reflective and beautiful debut