emo

Loan spoke with Drew Richardson of Oklahoma indie/emo band Downward about their surprise sophomore album 'Downward (LP2).’ Out on New Morality Zine now.

Loan spoke with frontman Jon Simmons about Balance and Composure's fourth album 'with you in spirit.' Out now on Memory Music.

Loan speaks with emo/post-hardcore quartet Stay Inside about their new album 'Ferried Away' out February 28

Sometimes, it is hard to know where the band begins and where the bit ends with Mush. For those who […]

While 2013 was a time of renewal and culmination for emo, with it comes death. Things must perish. Nothing will […]

Loan spoke with frontman Jim Adkins about the key to longevity behind Jimmy Eat World's 30 years as a band, what he thinks about the popularity of emo, how they're approaching releasing new music, and more

Prince Daddy & The Hyena navigate the complex relationship of life and death while exploring new sonic territory on their stunning self-titled record.

Watch as Tiny Stills takes on the role of FBI (Fuck Boy Investigators) in the music video for their brand new song, "Bleeding Out."

Sweet Tooth isn’t just the strongest Mom Jeans record to date, it’s a reintroduction to the band that saw them re-evaluate their songwriting, refine their ethos, and reap the benefits of throwing “cred” to the fucking curb.

Jane caught up with Devin Bailey, the mind behind narrative rap project Pink Navel who acknowledges the importance of leaving imperfections in the final mix. The Massachusetts-based artist started in New England DIY punk and emo circles and joined rappers in Ruby Yacht in 2018. They talked about their most recent album EPIC alongside what it’s like to trust in a one-take process, manipulating Tik Tok audio clips, and the zealousness of spontaneous performance that is Pink Navel.

It’s impossible to listen to Nervous Dater's new record Call in the Mess without feeling the need to be immersed in a crowd, screaming every line back.

Fans of indie and emo from the last thirty or so years will find a lot to enjoy from the bright vocals, tight rhythm section, and riff-heavy guitars on Camp Trash's "Downtiming."