Review

Zac reviews three recent releases from bands with distinct takes on metalcore

Ten years to the day of its release, Jeff Rosenstock's 'We Cool?' remains a punk rock masterpiece. Chris breaks down why.

Giliann reviews 'Basia's Palace,' the seventh LP from Canadian singer-songwriter Basia Bulat––and one of her best yet

Zac reviews new releases from Jane Remover side project venturing shoegaze upstarts Glixen, and ex-TWDY post-rockers you, infinite

Guest writer Chris reflects of The Mars Volta's sophomore LP 'Frances the Mute,' which just turned twenty last week

On her debut LP 'Glutton for Punishment,' Heartworms' Jojo Orme indulges in vices and relishes in the chaos she causes

Mol reviews Orchid Mantis' surprise 'rain tape'

Mol reviews Josaleigh Pollett's song-a-day collection 'bro's bad january,' which recasts '70s folk from the perspective of a depressed millennial

Josh reviews Arlen Gun Club's new EP 'An Unbearable Weight,' a great addition to the melodic punk quartet's catalog

Zac reviews Thursday's second single in over a decade, the emo-leaning anthem "White Bikes"

Giliann reviews Morpho's debut EP 'Morpho Season,' a self-assured rejection of self-pity, out now on Hit the North Records

Guest writer Josh Ejnes tackles the new EP from Brooklyn singer-songwriter Ciao Malz

Guest writer Mark Moody tackles Geese frontman Cameron Winter's debut solo outing 'Heavy Metal,' which proves a mixed bag

It's been seven years since Two Inch Astronaut last released new music, but on "Check Please" and "Humorist," it sounds like they never left.

'444,' the latest hemlock album, settles into wistful gratitude, sharing verdant affection for friends, music, and the world at large