Review

Elias Amini stops by to review the first single from screamo vets Nuvolascura's upcoming third album 'How This All Ends'

Zac reviews the long-awaited new full-length albums from Club Night, Petrov, Bleed, and Shunkan, all out now.

Leah reviews Samia's third LP, 'Bloodless,' which she calls the singer-songwriter's very best work to date

John reviews the debut LP from Brooklyn shoegazers Bedridden, the excellent 'Moths Strapped to Each Other's Backs'

Elizabeth reviews the new album from Aussie weirdos Babe Rainbow

Zac reviews three recent releases from bands with distinct takes on metalcore

Ten years to the day of its release, Jeff Rosenstock's 'We Cool?' remains a punk rock masterpiece. Chris breaks down why.

Giliann reviews 'Basia's Palace,' the seventh LP from Canadian singer-songwriter Basia Bulat––and one of her best yet

Zac reviews new releases from Jane Remover side project venturing shoegaze upstarts Glixen, and ex-TWDY post-rockers you, infinite

Guest writer Chris reflects of The Mars Volta's sophomore LP 'Frances the Mute,' which just turned twenty last week

On her debut LP 'Glutton for Punishment,' Heartworms' Jojo Orme indulges in vices and relishes in the chaos she causes

Mol reviews Orchid Mantis' surprise 'rain tape'

Mol reviews Josaleigh Pollett's song-a-day collection 'bro's bad january,' which recasts '70s folk from the perspective of a depressed millennial

Josh reviews Arlen Gun Club's new EP 'An Unbearable Weight,' a great addition to the melodic punk quartet's catalog

Zac reviews Thursday's second single in over a decade, the emo-leaning anthem "White Bikes"