Reviews

With 'My Checkered Future', Eichlers has positioned themselves as a beacon of light and a checkered flag waving in the wind for kids looking to find their place in the scene.

On 'New Preoccupations,' Caracara breaks with emo, injecting dance beats and swelling strings into their eclectic indie rock. The result is a record that shows that the Philly four-piece is as talented as they are ambitious, crafting what's sure to be one of 2022's most impressive LPs.

Offering a wealth of magical moments, 'Dragon New Warm Mountain I Believe In You' lands as Big Thief’s most light-hearted, expansive and ambitious creative statement yet.

Zac reviews upcoming albums from Overgrow, Peregrine, and Glacier Veins

At their best, Supernowhere take advantage of the clashing power of their individual pieces.

Superdestroyer's 'In Your Loneliness, Your Holiness' is a trippy twelve-minute blend of psychedelic electronics and fuzzed-out guitars.

On vein.fm's follow-up LP to "Errorzone" the band takes on a darker, grittier, and more metallic tone to their songwriting.

Hella sees Just Friends at their absolute best – bringing all the puzzle pieces of their career together to create a body of work that truly encapsulates their ethos.

String Machine's 'Hallelujah Hell Yeah' is a beautiful and raucous record that leaves you with an almost overwhelming sense of joy.

Sweet Tooth isn’t just the strongest Mom Jeans record to date, it’s a reintroduction to the band that saw them re-evaluate their songwriting, refine their ethos, and reap the benefits of throwing “cred” to the fucking curb.

Shamir's 'Heterosexuality' is a kaleidoscope of indie-rock, fuzzy dream pop, and smooth R&B that tackles queerness and identity head-on. Read Hope's review and interview with Shamir.

Topiary Creatures' new record, 'You Can Only Mourn Surprises' is a fantastic blend of heavy rock, dreamy pop, noodly emo, and manic chiptune that demands to be played on repeat.

'Ellapsis' is by turns shoegaze, post-rock, and post-hardcore, but Dreamtigers' comfort in all styles prevents the album from getting pigeonholed.

The debut album from London’s Caroline is immense and challenging, but after peeling back the layers, is endlessly rewarding.

Saint Judas' 'a terrible year' blends dark, reflective lyrics with catchy acoustic emo for an excellent winter listen.