Reviews

On BREACH, Fenne Lily takes her early twenties head-on and comes out confident and enlightened; accepting of her experiences and how they’ve shaped her. Read Aaron's review.

Jordan unpacks how Bartees Strange's debut "Live Forever" bursts at the seams with creativity, originality, and heart.

Vacations curated virtually every facet of their frolicking, chipper music to stoke idyllic visions. Take a read through Bineet's review of their new record.

Zac Djamoos reviews the debut LP from Sydney, Australia's Yours Truly.

In 2020, Evan Weiss is no longer interested in being Mayor of Emo City. What the solo musician is interested in doing, however, with his first full-length album since 2016’s Standards is learning how collaboration can take his songwriting to another plane.

Common Sage's newest EP is a huge improvement in production over the band’s previous album. The crunchy yet brilliant guitar tones and consistently rocking instrumental bridges have carried over but the sound quality and structuring has been refined and more deeply considered.

On 'Apple,' the second album of the year from PC Music founder A. G. Cook, Cook switches his focus from high concept pop to classic songwriting.

'Up & Up' takes you on a journey, hopping in and out of different decades and influences, making for a surprising mix of textures and sounds behind Dan LaFave’s affable slacker lyrical style. Aaron reviews Coupons, Albany's next big thing.

Jordy reviews Barely Civil's classically emo and definitive statement in "I'll Figure This Out."

'Hanging Garden,' the debut album from Philadelphia trio Corey Flood, is filled with immediately memorable hooks and lines.

Zac reviews Closure's move beyond emo in their latest album, "I Don't Mind."

On 'Hannah,' the phenomenal new LP from Lomelda, songwriter Hannah Read takes the intimate nature of her songwriting even further, making for one of the most thoughtful and poignant self-titled records in recent memory.