Reviews

The poignant and dissonant post-punk on Cool Evil, the debut LP from St. Louis quartet Glued, is unrivaled in its ability to simultaneously captivate and isolate the listener into a nostalgia-fueled fog.

CHAI's wonky blend of throbbing post-punk and infectious J-pop is crystallized on their sophomore record, 'PUNK.' Read our review:

Olivia Keasling explores the impact of Gilman in the film ‘Turn It Around - The Story of East Bay Punk.’

Influenced by bands like Mineral and Sunny Day Real Estate, Casavettes offer a glimpse of their potential on their debut 'Senselessness'.

Rosie Tucker's sophomore record is full of trenchant storytelling and gloriously catchy indie-rock nuance. Read our review.

Filled with horns, strings, beats, and acoustic guitars, 'The Rose Gardener' is a glimpse into the thorny and sweet parts of Bellows' world.

Jordan Walsh explores the development of Copeland on their latest album, “Blushing.”

SWMRS new record, Berkeley's On Fire, is an electrifying record filled with social commentary.

While their 2017 EP "Please Help Me" was an anthem for those seeking solace in heartbreak and uncontrollable change in their life, "Nectarine" shows growth not only in musicianship but also on a personal level, in that we must accept what has changed and learn to cope with it and move forward.

Zac shares a three-way split of Denton, Texas's music scene with Sylvania Ave, Genius Christ, and Record Setter.

Tackling themes of sexuality and drug use, 'Oliver Appropriate', the final album from Say Anything, is a showcase for frontman Max Bemis' witty lyricism as well as his knack for devising concept albums.

Kayla Carmicheal unpacks the self reflection packed in Girlpool’s ‘What Chaos is Imaginary.’