Reviews

By taking the blueprints of emo and pushing the genre to its outer limits, itoldyouiwouldeatyou have crafted a catchy and memorable debut LP with 'Oh Dearism'

Hodera's follow-up EP to last year's full-length is both emotionally impactful and instrumentally intelligent.

One of emo-leaning indie-rock's best-kept secrets delivers its third straight win on 'No Bouquet.' It features some of the best hooks, riffs, and lyrics in All Get Out's entire discography.

IAN SWEET is a godsend to everyone who falls into seasonal depression or cynical self-evaluation. As heavy and direct the record is both in musicality and lyricism, Medford does give some sort of remedy to those experiencing the same strife.

Ryan explores how Hutch Harris's solo effort sets a mood with 'Only Water.'

Macseal's new EP, 'Map It Out', is the band's best one yet, a short but sweet collection that feels greatly shaped by Oso Oso.

Emily explores the emotional storytelling and impact in Death Cab for Cutie's "Transatlanticism."

With their record, 'Short Songs For The End Of The World', Birthrates create a story and sound crafted with care.

Typesetter's sophomore record recalls The National, Violent Femmes, and more contemporary alt-rock bands while retaining its punk spirit.

'’s Favorite Friend' is an energetic landslide in Stove’s discography. It’s balance between chaotic riffs and depressing vocals gets rendered into a sensational collective of a record.

Equally stunning in bright vibes and dire importance, The Sonder Bombs show the full reach of their songwriting capabilities on their wonderful debut 'MODERN FEMALE ROCKSTAR'

On the organic and unpredictable 'The Whole Thing Is Just There', Young Jesus create a jazzy, twisting, genre-bending sonic landscape just as easily as they tear it down